Let there be no doubt: the Purple Reign, which has ended tragically all too soon, affected Entertainment Law and many of its practitioners.
Prince Rogers Nelson, 57, not only played the role of path-breaking artist, musician, fashionista, and trend-setter, he also was, as various media have noted, an innovator deeply concerned about intellectual property and the legal protection of creative works.
He rocked the recording industry with his willingness to contest its talent representation practices and contracts, which he saw as creative constraints that kept him from controlling his own works. He fought, perhaps to excess, to ensure that his copyrights were enforced. He took a principled stand about the creator’s sovereignty, even in the face of rapidly changing technological advance, becoming one of the prominent hold-outs against what he saw as the penurious payments by online streaming services to musicians, lyricists, and composers.
In doing all this and much, much more, he generated lots of work for Entertainment lawyers in Los Angeles, New York, Minneapolis, and elsewhere. As he a client, just as he was a giant of his craft, he was sui generis, and he will be much missed, practitioners have recalled. RIP, sweet Prince.